The laughter that accompanied them however, was always fresh.
Sometimes I asked questions, more often I basked in the familiar turns
of phrase. As an adult, my interest in history and my family story
has taken on new dimensions. I am ready for nuance, for interpretation,
for the details of how individuals were effected; I am ready for the
grey world in which we really exist.
The problem with applying this concept to my family
history is that we have had a lot of attrition. (Our family tree is
more like a cypress than the typical oak tree shape of many a Utah family
genealogy. Even if we were avid reproducers, the direction family stories
flow is still from oldest to youngest, so it wouldn’t really make a
difference.) No, the problem is that without the assistance of a Ouija
board, I cannot ask my mother, my father, my grandmother all the questions
I should have asked about their lives and their stories. “Don’t just
tell me what happened,” I would implore if I could, “tell me how you
felt, tell me what you thought.” What I would really like
is a “redo” or “reload” (not to be confused with my other favorite,
the “undo” command). My awareness has changed. It’s like learning
a new word. You swear you’ve never seen it before in your life, yet
once you know the word you see it everywhere you turn.
Not only did I not think to ask some questions, there
were particular topics I felt I could not raise. I don’t know the reasons
for this--my family was fairly open to questioning...that is, unless
it was authority. It is probably no more complicated than the fact
that these topics were typically the painful ones--death, divorce, illness,
etc. My family was never one to dwell in the past, nor “cry over spilt
milk”; reliving those memories was probably not a high priority.
If there was just one “redo” I could have, however,
it would be to go back in time and ask all of the questions that I have
had, throughout my life, about my mother’s mother’s death. I didn’t
ask the questions even after my mom herself was diagnosed with cancer
for fear that it would give voice to the unconscionable possibility
that she might be dying. Fat lot of good that did me. The moral of
that story is “don’t put off until tomorrow what you can do today”,
or “make hay while the sun shines”, whichever you prefer.
I have been able to flesh out the skeleton of facts
about this event to some degree with help from my aunt and grandfather.
It’s the blank emotional history that keeps me awake at night. (Just
to reassure you, I am using that phrase merely as a figure of speech.)
My mother’s mother, Marjorie, died of Hodgkin’s disease
in 1945, when my mother was ten years old. She was diagnosed in 1942,
when the family was living in Florida while my grandfather supervised
the transition of a series of resort hotels that were commandeered by
the Army Air Corps for barracks. In the way that children remember
odd facts, I remember my mother telling me that it was my grandfather
who taught her how to make white sauce in the months following Marjorie’s
death. (At the time, this struck me as incongruous with the strict
person I knew him to be, not to mention the fact that I never saw him
cook except on the hibachi. He has, however, always offered plenty
of advice for those of us who do slave over a hot stove, but
those are my own stories to be told later.)
I don’t remember precisely when I learned that Marjorie
died when my mother was little. I remember thinking it was sad because
by the time I heard the story, a cure for Hodgkin’s disease had been
found. I remember being glad that my mother had ‘another’ mother--my
grandmother, Elizabeth, my grandfather’s second wife, whom she called
“Mother” and “Ma”--who raised my mother, her sister, Alida, and new
baby, Elizabeth equally as her own. Later, when I realized my mother
was not the toddler I had always envisioned her to be when her mother
died, I felt mostly relief that she indeed had ‘another’ mother, which
Elizabeth truly was. I had some questions but she didn’t seem to dwell
on the tragedy, so I didn’t feel I could.
I also felt as though asking questions about my grandmother,
Marjorie would be disloyal to my grandmother, Elizabeth; that it would
cast her as second best. Contrary to that feeling, my Aunt Elizabeth
says that my grandmother was always very forthcoming about “Fitcho”,
as Marjorie was nicknamed, because they knew each other from boarding
school and college--indeed were good friends. In recent years I found
a photograph of the two of them, which seems to capture their individual
high spirits and wit, and clearly reveals their friendship. I dearly
wish I had known them together. I wish I’d had the courage to ask.
To ask what? To ask my grandmother what Marjorie
was like as a person, what their friendship was like. To ask her what
it was like to take on two young girls as daughters. To ask my mother
what she remembered of her first mother, what she remembered of her
illness, her death, the following darkness that I can only imagine consumed
the coming months. To ask what she thought when her father remarried,
when she was moved from Riverdale, New York to tiny Elizabethtown in
the Adirondacks. To ask if she was excited when the new baby sister
arrived--I certainly longed for a sibling, albeit a brother, after my
parents were married. I have any number of questions.
I will never gain answers to many of these questions,
but I do not want to completely lose my grandmother Marjorie to history,
nor that era of my mother’s life. In the finest tradition of my family
I can’t dwell in the past--although it makes for great martyrdom. I’ll
just have to buck up and make the most of what I can learn now. And
then remember to pass it on as completely as possible, as my interpretation,
with my nuances, since that is the best that I can do.