Tag: Ray Garner

1950: BEFORE ‘CANYONLANDS’ WAS A PARK…The Other ‘Place No One Knew” by Tug Wilson (ZX#96)

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Alan “Tug” Wilson isn’t exactly a household name to most Zephyr readers. But it should be. While he may not be instantly recognizable, many lovers of Canyonlands and Arches National Parks will recognize his father. Tug was blessed to be the only son of Bates Wilson. In 1949, Bates became the first official superintendent of “The Arches,”  when it was still a national monument. Just a year after his arrival, Bates was introduced to the vast untouched landscape to the west of Moab— and north and south of the little town as well. The canyon Country of southeast Utah was still an almost untouched landscape, known only to the ranchers and cowboys of Scorup/Sommerville Ranch, and a handful of intrepid explorers. The land lay empty for centuries…

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EXPLORING the NEEDLES in 1949: With Filmmakers Ray & Jinny Garner (ZX#90)

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NOTE: You’ll notice that the quality of these images is not the best, but their historical value is priceless. The original 16mm film was badly degraded by the time anyone thought to digitize it. Still, despite the grainy, slightly blurred images, and those vertical scratches, I could look at these pictures all day. When you reach the end of the still images, note that there is a link to the film itself. There’s no sound, so do your own narration. But these images are worth thousands of words, coming as they do, from another time…Enjoy the ride

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UNSUNG VIDEOGRAPHERS of CANYON COUNTRY: 1949 —Ray & Virginia Garner (ZX#43)

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But my photo collections are still images. Trying to locate movie film, especially going back to the 1940s and 1950s has been almost impossible. Sometimes the best I could hope for were John Ford Westerns and one of George Stevens’ last films, “The Greatest Story Ever Told.” All the exterior scenes were shot in Glen Canyon, as the dam was being built. 

But recently, and sheerly by accident, I found the film in its entirety on the internet. It had been donated to the National Archives and though the film quality still pales by today’s standards, it is the history in these films and images that I love, more than the film quality itself. Ray and Virginia Garner started making films in the late 1930s. Ray’s first known project was a film about ascending the Grand Teton with a group of Boy Scouts in 1936. Sadly the film has been lost. But it was the beginning of an independent filmmaker career and soon, a wonderful collaboration with his new wife Virginia. Though the title of the film I’m offering here gives credit to Ray, Virginia, or “Jinny” as she was known to everyone, was not only his equal in the filming, production and presentation of what were often silent films, she was certainly more photogenic and appears often in them.  That’s’ what gives these 16mm movies such a personal feel. As I understand the story, they toured the country with their movies and at various gatherings, they would narrate the film in person as it was being shown.

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